SPECIAL: NAMM WRAPUP ISSUE
MARCH 2007
VOLUME 24 NO.3

THE MAGAZINE FOR MUSICAL INSTRUMENT AND SOUND PRODUCT MERCHANDISERS

 

   
 

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-Guitar Hero is all the rage for consumers.

-Need to take a break from searching for the latest gear during The NAMM Show? Here are some celebrity appearances and parties to check out.

-Attendance increased at Music China and Prolight + Sound, and Kenny G made a big splash.

-Improving next month's NAMM Show is like making the 1972 Miami Dolphins better. But NAMM is certainly not resting on its laurels.

-We reveal all of the manufacturer nominees for Music & Sound Awards to be handed out next month at The NAMM Show.

-Counterfeiting on MI products, particularly guitars, may have received minimal national press, but the problem is real and not going away.

-Find out how to sell products your customers are probably not looking to buy.

-M&SR features its second annual independent retailer roundtable. What's on dealer's mind's this year. Are things better than last year?

-Females playing musical instruments now outnumber males, according to a NAMM/Gallup survey.

-Industry leaders paved the way for the next 10 years.

-The Latest, Industry, Dealers, People and Product Buzz and Showcases.
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-Dan Vedda shares every thought not appearing in his monthly column right here.
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COLUMNS
-Robert Gault, president of Eminence Speaker, knows a massive amount about China and the pro audio industry. Enough said.

-To say Kurt Ballou, Converge's guitarist, doesn't treat guitars well is like saying the New England Patriots are a decent football team. Ballou had to find a guitar to take a pounding. Here's why he chose First Act's Sheena.

-The amazing story of how Gear Source Music reopened days after a flood took it apart. Spy ventured to the Pacific Northwest to the great city of Seattle. Five minutes with a great wealth of knowledge in the percussion industry, Remo Belli.

CURTAIN CALL
-John Flansburgh, They Might Be Giants' John Flansburgh is a big fan of several independent dealers as well as a host of manufacturers.
-Matt Rubano, the bass player for the red-hot band Taking Back Sunday. Even better, he likes to shop for MI gear.
-Paul English, Willie Nelson has had four wives in 40 years, but only one drummer in that same time frame.
-John 5, When your name is a number, you must be cool. John 5, who played with Marilyn Manson and Rob Zombie, says idolizing Eddie Van Halen was a big mistake. How is that possible?
-Luke Pritchard
may be “all together Kook-y,” but he has cool memories from the days he visited retail stores.
-Eddie Ojeda; Lead guitarist for Twisted Sister.
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Will Lee; Getting that gig isn’t easy and took a lot of blood, sweat, and tears.
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Imogen Heap writes songs, plays piano and the nail violin,Does she plan to design her own instrument?
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MUSIC & SOUND AWARDS
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INFORMATION
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DJ TIMES / DJ EXPO
-DJ Times Online
-Int'l DJ Expo 2007
-Americas Best DJ
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CLUB SYSTEMS INT'L
-Club Systems Int'l Online
-Club World Awards 2007.
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Adam Schlesinger
[Page 2]

M&SR: You’ve written songs for your own bands, as well as TV shows and movies. Is the process different when trying to convey someone else’s ideas in songs than when you’re coming up with something for yourself?
Schlesinger:
It can be different, you know? For me, it’s having a clear sense of what you’re writing for before you start. So in a way I treat it like a bit of an assignment, even if it’s writing for one of my own bands. I kind of have to think of it in terms of, alright, what kind of song am I trying to write? Who’s going to sing it? What’s it for? I don’t really write in a vacuum and then figure out what I can do with the song I just wrote. Whenever I write anything, it’s usually because I know specifically what I’m writing for.

M&SR: Where do you like to shop for gear?
Schlesinger:
I’m not really a big gear head, so a lot of times I’ll just use whatever is lying around. If I do, I’ll occasionally end up on 48th street [in New York City]; I’ll just go into Manny’s or Sam Ash or whatever’s around there and maybe check out some new toys. I’m lucky because I co-own a recording studio with two guys. Between the three of us we just have tons of gear. So I don’t buy a lot of new gear these days. I just went up and bought a couple of new little keyboard things at Sam Ash, just to have some new sounds. [I picked up] an Alesis Micron, which is sort of a cool little synth.
I used to go to a music store called Long & McQuade when I was growing up in Parsippany, New Jersey, and that was where I bought a lot of stuff. They were really cool too. They were always very helpful.

M&SR: What sorts of things did you like to buy when you were younger?
Schlesinger:
I got a Fender Rhodes piano as a birthday present when I was maybe 14 or 15. That was huge. That allowed me to go play music with other people. And then I was pretty much into synthesizers, but I really didn’t buy a ton of them. I think I ended up borrowing a lot. I think basically I’m just a gear freeloader (laughs). No, I mean I bought stuff as I went along, kind of as needed. I bought a cheap bass when I first started playing bass. When I got a little better I got a slightly better bass. Now I own three or four basses, but I still don’t have a big collection of basses, even though I’m a touring bass player at this point.

M&SR: As a touring bass player, were there any exciting shops you got to see while traveling the world?
Schlesinger:
One of the great things about touring is you do get to go to lots of cool music stores all over the place. You find interesting things. I’ve definitely bought quirky amps or found interesting guitars in offbeat places along the way. I mean, I think in the era of eBay and stuff, people are more savvy about what they have and what it’s worth. Ten years ago, it used to be that you could find stuff dirt cheap because people didn’t know what it was. But now it’s very easy for people to figure out the exact price something should be. I remember finding a weird old Gretsch guitar in a bookstore in Oregon somewhere. They didn’t sell instruments even, but they just happened to have one guitar and it was a cool, strange, brown Gretsch I had never seen before. I think it was a Japanese one. I bought that. And I remember finding a solid state Vox amp in a little used music store somewhere. I bought a Gibson Thunderbird bass in Nashville. So sometimes I’ll pick stuff up on the road if I see something interesting.

(continued...)



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