SPECIAL: NAMM WRAPUP ISSUE
MARCH 2007
VOLUME 24 NO.3

THE MAGAZINE FOR MUSICAL INSTRUMENT AND SOUND PRODUCT MERCHANDISERS

 

   
 

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-Guitar Hero is all the rage for consumers.

-Need to take a break from searching for the latest gear during The NAMM Show? Here are some celebrity appearances and parties to check out.

-Attendance increased at Music China and Prolight + Sound, and Kenny G made a big splash.

-Improving next month's NAMM Show is like making the 1972 Miami Dolphins better. But NAMM is certainly not resting on its laurels.

-We reveal all of the manufacturer nominees for Music & Sound Awards to be handed out next month at The NAMM Show.

-Counterfeiting on MI products, particularly guitars, may have received minimal national press, but the problem is real and not going away.

-Find out how to sell products your customers are probably not looking to buy.

-M&SR features its second annual independent retailer roundtable. What's on dealer's mind's this year. Are things better than last year?

-Females playing musical instruments now outnumber males, according to a NAMM/Gallup survey.

-Industry leaders paved the way for the next 10 years.

-The Latest, Industry, Dealers, People and Product Buzz and Showcases.
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-Dan Vedda shares every thought not appearing in his monthly column right here.
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COLUMNS
-Robert Gault, president of Eminence Speaker, knows a massive amount about China and the pro audio industry. Enough said.

-To say Kurt Ballou, Converge's guitarist, doesn't treat guitars well is like saying the New England Patriots are a decent football team. Ballou had to find a guitar to take a pounding. Here's why he chose First Act's Sheena.

-The amazing story of how Gear Source Music reopened days after a flood took it apart. Spy ventured to the Pacific Northwest to the great city of Seattle. Five minutes with a great wealth of knowledge in the percussion industry, Remo Belli.

CURTAIN CALL
-John Flansburgh, They Might Be Giants' John Flansburgh is a big fan of several independent dealers as well as a host of manufacturers.
-Matt Rubano, the bass player for the red-hot band Taking Back Sunday. Even better, he likes to shop for MI gear.
-Paul English, Willie Nelson has had four wives in 40 years, but only one drummer in that same time frame.
-John 5, When your name is a number, you must be cool. John 5, who played with Marilyn Manson and Rob Zombie, says idolizing Eddie Van Halen was a big mistake. How is that possible?
-Luke Pritchard
may be “all together Kook-y,” but he has cool memories from the days he visited retail stores.
-Eddie Ojeda; Lead guitarist for Twisted Sister.
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Will Lee; Getting that gig isn’t easy and took a lot of blood, sweat, and tears.
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Imogen Heap writes songs, plays piano and the nail violin,Does she plan to design her own instrument?
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MUSIC & SOUND AWARDS
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INFORMATION
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DJ TIMES / DJ EXPO
-DJ Times Online
-Int'l DJ Expo 2007
-Americas Best DJ
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CLUB SYSTEMS INT'L
-Club Systems Int'l Online
-Club World Awards 2007.
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Adam Schlesinger
[Page 3]

M&SR: What’s the next piece of gear you want to buy?
Schlesinger:
I always tell myself I’m going to buy some nicer basses, and then I never do. I’m just too cheap, I think (laughs). I was given a Rickenbacker bass as a present by one of the guys in the band America because he knew that I was coveting one for a long time. When we were finished working with them, as a present he gave me his. So he saved me, again, from having to spend any of my own money, but he gave me a really nice ’74 Rickenbacker.

M&SR: You started Fountains of Wayne when you were in college?
Schlesinger:
Not exactly. I started playing music with Chris Collingwood, who’s the other songwriter and the lead singer of Fountains of Wayne. We went to college together and we started playing then, but as Fountains of Wayne it didn’t actually start until 1996-ish. We played in a bunch of bands before that with different names. It was essentially the same thing. It was the two of us just writing songs and playing together.

M&SR: What are some of your favorite memories from that period, when you were just getting started, got your first record contract, etc?
Schlesinger:
Well we went through a lot of kind of false starts. We played together in college just kind of casually. Then we got out of college and we started playing around in Boston, and then a little bit in New York. This was before it was called Fountains of Wayne. We were actually called The Wallflowers at the beginning, and then we had to sell that name to Jakob Dylan for his Wallflowers. Then we were called Pinwheel for a while. But anyway, we signed a little indie record deal with a company that never really got off the ground and our record never came out. The company went bankrupt. It was sort of a big mess for a couple of years until we got really despondent about the whole thing and really stopped trying for a while and did other things. Then we got back together in ’95 and started working on the stuff that would be Fountains of Wayne.

M&SR: Is there any particular song or album you worked on that you’re most fond of?
Schlesinger:
It’s hard for me to say one particular thing over anything else. I mean, I actually was really proud that we pulled our last record together, which is called Welcome Interstate Managers. That was a point where we had lost a record deal and we just didn’t really know if we wanted to keep doing it and it was sort of a little bit of another dark period for us. I think, despite it, we managed to pull a good record together and it turned things around for us. So I was very proud of the fact that that happened and it didn’t just all fall apart.

(continued...)




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