SPECIAL: GUITARS
February 15, 2008
VOLUME 25 NO.2

THE MAGAZINE FOR MUSICAL INSTRUMENT AND SOUND PRODUCT MERCHANDISERS

 

   
 

VIDEO WEBCAST
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-RPMD-Yay! Boston’s Seaport Hotel was the place to be in late April for tons of information to help you sell print music products.
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Music City Miracle? Is this the year Summer NAMM makes a great comeback?
-Moonlighting. A look at manufacturers/reps who still perform regular gigs and how it helps them in their day jobs.

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The Bright Stuff. We always hear the bad news going on in the world. How about the good news?
-The 'Real' Guitar Heroes. What will the future of the guitar industry look like?

-The Latest, Industry, Dealers, People and Product Buzz and Showcases.
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-Dan Vedda shares every thought not appearing in his monthly column right here.
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COLUMNS

-The Music & Sound Independent Retailer Rebecca Apodaca of A&D Music is more than a retailer. Much more. Find out what she does—some of which you can also do—to make the wallet fatter. Plus, more about the IMRA/MSO merger.
-MSR Exclusive Blue Microphones said it found the right fit when equity firm Transom Capital came on board. What it means for you as a dealer and what the company’s future holds.
-NAMM University Listings Your one-stop source for every NAMM educational event taking place at Summer NAMM in Nashville this month.
-The Utah Jazz put up quite a battle in the NBA playoffs. Now, Spy finds out if area retailers will put up a big battle for his/her business.
-Five MinutesA big promotion and oh yeah, that “little” deal Kaman made with Fender. In the meantime, he’s one of the top guys at the biggest musical instruments distributor. A chat with Kaman Music’s Paul Damiano is overdue.
-Sales Guru.More store advice is on the way from Gene Fresco. When the customer thinks, “What’s in it for me?” you will have many answers.
-Veddatorial.Dan Vedda describes how to boost the Recreational Music Making movement, and what we can learn from the highly-respected CEO of PepsiCo.
-Mary Luehrsen, director of affairs and government relations for NAMM, can often be found on Capitol Hill fighting for legislation to help promote and protect our industry. What you probably don’t know is she formerly worked for the Texaco Foundation (now part of Chevron). What possible link could Texaco and NAMM have? You’ll find out. Believe us, it has nothing to do with oil either.


CURTAIN CALL
-Steve Stevens, Rock and Roll may be known for its wild behavior, but the genre has at least one law abider in Steve Stevens.
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Frank Black of the Pixies credits Haley's Comet for starting him on his career path?
-KT Tunstall dismounted from her horse and climbed out of her cherry tree to talk with us.
-Peter Frampton comes alive to tell us what guitars, effects, and amps he loves.
-John Flansburgh, They Might Be Giants’ John Flansburgh is a big fan of several independent dealers as well as a host of manufacturers.
-Matt Rubano, the bass player for the red-hot band Taking Back Sunday. Even better, he likes to shop for MI gear.
-Paul English, Willie Nelson has had four wives in 40 years, but only one drummer in that same time frame.

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DJ TIMES / DJ EXPO
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CURTAIN CALL
Kenny Loggins
[February 2008 - Page 3]

M&SR: Are there any particular songs you’re most proud of or have the most memories about?
Loggins: Oh yeah, I’m sure there are. If I had a memory, I’d probably remember [Laughs]. Well, the whole “Leap of Faith’’ CD was an important period of my life. It was sort of like taking my journals and putting them to music. A very extraordinary time of leaving my first marriage and then falling in love. The writing that came from a major life decision and change like divorce, and then moving into a whole new life and new love affair, to be able to write an album during that period of time was perfect timing. That whole process was like taking dictation. It just poured out. This last album, “How About Now,’’ came from the past three years after my second divorce and during that process. A much more difficult passage for me. But the music again came from the journals and the changes that take place when you go through something really rough. Because of that, the music is very emotional.

M&SR: What first got you into playing music?
Loggins: I got into music just because I loved it. A buddy of mine, his big brother was a guitar teacher. So I decided I wanted to learn to play guitar. I’d been drawn to guitar since I was in grammar school but I never really applied myself to it until I met Rod, his name was. And Rod taught me to play guitar. In the process of doing that, he turned me on to a folk magazine of the era called Sing Out. It was through Sing Out magazine that I discovered the music of Bob Dylan. When I started listening to Bob Dylan, that’s when I started writing. And then Dylan led to the Beatles.

M&SR: Children today have distractions like video games and Internet that just weren’t there when you were growing up. Do you think the industry needs to do anything to get children as excited about music as you were when you were young?
Loggins: I don’t know what could be done. I mean, I think music goes through cycles. There are high periods of rock and roll and low periods of rock and roll. I don’t know which cycle we’re in now. I think downloading has changed the face of the music business. It’ll be interesting to see where it lands. I don’t think there’s any one act out there that’s galvanizing the interest of the audiences today. There are a lot of different musical directions. Most record sales are not great, so I guess we’re in a lower cycle. But music always wins. Music always comes back. People need music in their lives and we tend to measure the importance of music by the sales of music, and that’s not necessarily the case. Hard to judge by sales now because of the free downloading. We don’t know exactly where music stands with the 20-somethings of this generation. So I think time will tell.
[end]


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